
The debut release from upstart Los Angeles band
The Widow Babies could have been alternately titled, “The Lamb Lies Down In San Pedro”. This six song, 13-minute concept album features a brilliantly conceived story that pits
Minutemen bassist and erstwhile folkhero
Mike Watt against a world domination-minded vampire who looks like
Abraham Lincoln.

A collection of live recordings and trio improvisations with
Create (!) saxophonist
Peter Chan,
Between Them A Forest Grew… finds the group performing songs from their debut recording
Blood & Light, the split 12″ with
Castanets as well as previously unreleased compositions.
Recorded from 2004 through 2007,
Between Them A Forest Grew, Trackless and Quiet is the document of the duet in constant motion.
I Heart Lung explores a wealth of improvisational material in addition to studio tracks, old and new, including a sketch from the band’s forthcoming album
Interoceans.

A timeless collection of holiday cheer. Recorded in one afternoon and mixed in another, this five song EP includes four Christmas standards as well as the
I Heart Lung original, “Santa Claus Vs. Dracula.”
An album destined to be included in the popular holiday lexicon with
Frank Sinatra,
Nat King Cole and
King Crimson, put this on at your next ornament exchange or Jello-swap and watch eyes, hearts and lungs fill up with the Christmas spirit!
ellul’s massive, multilayered debut is born again in a series of specially commisioned remixes.
Thavius Beck chops and screws “Esophagus” while Italian electronic duo
Mickey Eats Plastic reconstruct “Freedom.” Fellow San Francisco-based artists
Radius and
Bookworms take completely original turns on their respective remixes while
Siamese Sisters surmount a difficult task in re-approaching the delicate and powerful “Fragrance.” A trio of stunning remixes from
Blevin Blectum,
Deneir and
Heezen with Xn. round out an impressive remix EP.

Recorded in vaulted hill top church, an industrial warehouse, a community center and a living room, up and down the California coast, over the course of five months,
ellul’s self titled debut is surprisingly established. Produced and engineered by
Chris Schlarb the group added his electric guitar to contributions from
Adam Garcia (
Timonium, belltower) on drums and
Anthony Shadduck (
Nels Cline, I Heart Lung) on bass.
Dueling live/programmed drum patterns, shimmering guitar distortions and stunning choral harmonies are unearthed upon repeated listens.
ellul have crafted a stunning debut album that reveals heavy doses of progressive electro-acoustic musicianship with each spin.
THE DOCUMENT OF THE NEW L.A. MUSIC SCENE!
One night. Forty bands. Two minutes to make their mark.
In the tradition of underground rock movies like
THE DECLINE OF WESTERN CIVILIZATION and
URGH! A MUSIC WAR, comes an instant cult-classic:
40 BANDS/80 MINUTES!
On one night in Hollywood, over forty of Los Angeles’ most amazing, experimental and eccentric bands join together with one daring goal: to present their uncompromising musical visions to the world in two minute blasts! Using shared equipment, each band has only one chance to get it right. No second takes allowed, everything captured live with multiple cameras and audiophile-quality sound!
These bands fuse electronic, rock, dance, metal, jazz, noise and punk within one amazing community. This is your glimpse into the future of music…
This is
40 BANDS/80 MINUTES!

A long distance run-around recorded in Paris, Long Beach and London. Field recordings by Chicagoan
John Kannenberg were provided to
I Heart Lung who treated them as another improvisor. Without listening to the recordings the group, joined by bassist
Anthony Shadduck, mimiced, goaded and otherwise played with the pre-recorded sounds; somehow changing the static to the fluid.
Recorded in Long Beach immediately following the return from their 2005 tour with
Castanets and
Wooden Wand & the Vanishing Voice.

Between 2003’s
Ear Drung and 2006’s
Bloodshot Mama,
Bizzart became something altogether new. Once a spoken word artist turned M.C. turned abscratch expressionist
Bizzart now occupies a circuit-bent performance art hip-hop space that none before him have occupied. A reformed poet who has lost faith in words alone,
Bizzart has tucked
Alkalyne’s boom bap into bed with
Accident’s live noise comprovisations and together they dream of childhood and pray to a distant God.
The album features contributions from a staggeringly diverse group of artists including
I Heart Lung,
Awol One,
Yarah Bravo,
Justin Vollmar and
Dulok Shaman.

Originally released in 2003 on
Konstrictor Productions this fantastically bizzare record features both a 7 song Christmas EP from
Nichole & The Dreamcatchers, whose lead singer, Nichole, is in full command of her twelve year old voice shaped at the hands of Gary Gooper. Amazing stuff. Then the full on extravaganza. Two tracks from
Half-Handed Cloud,
The Mary Hamhocks (Liz Janes and husband- erstwhile
Slowly Rotating Fan-
Michael Kaufmann) and
Mary Krismus. Probably the prettiest thing
Create (!) has ever recorded (”Hymn for St. John of Shanghai”- bonus points if you know what he is the patron saint of…), a great lo-fi, fun instrumental from elusive My Marathon and a simply astounding piece of music from
Joel Pickell (drummer and musician in the travelling
Half-Handed Cloud circus). What is Christmas without kids!?? Childhood tape recordings from 1978 and 87 bookend the tracks and the album tops off with “Red & Green” from
themorningcall featuring some sweet baby chatter.

This limited edition 12″ features two unreleased cuts from
Asthmatic Kitty recording artists
Castanets and three all new pieces from
Sounds Are Active’s
I Heart Lung. Set to a limited edtion run of 400 copies these rare marbled vinyl LP’s will be going fast. And once they’re gone, they’re gone.
Pressed and sold on the recent
Oort Cloud BBQ/Sainthood Now tour which saw
I Heart Lung touring along side
Castanets and
Wooden Wand & Vanishing Voice.
One long-form
Castanets composite along with a shorter piece make up Side A.
I Heart Lung contributes one rapid-fire free jazz romp on “Speedboats For Breakfast”, one ballad and the near 8-minute “If I Were A Young Man Now.” Delicious droney stuff from all involved.