ellul’s massive, multilayered debut is born again in a series of specially commisioned remixes.
Thavius Beck chops and screws “Esophagus” while Italian electronic duo
Mickey Eats Plastic reconstruct “Freedom.” Fellow San Francisco-based artists
Radius and
Bookworms take completely original turns on their respective remixes while
Siamese Sisters surmount a difficult task in re-approaching the delicate and powerful “Fragrance.” A trio of stunning remixes from
Blevin Blectum,
Deneir and
Heezen with Xn. round out an impressive remix EP.
Sounds Are Active and sister label
Asthmatic Kitty have pooled their collective talents to put something beautiful into the world: the 2004 Sampler. Over over 74 minutes of music from these two unceasingly original record labels. The
Asthmatic Kitty “Side” features songs from
Sufjan Stevens’ first three albums, as well as three tracks from the unrelentingly joyous
Half-Handed Cloud. Songs by
Liz Janes,
Castanets and
Viva Voce round out the 11 tracks- 3 heretofore unreleased.
The
Sounds Are Active “Side” teems with spastic new work from
Melk The G6-49,
Bizzart and
Deneir. New and unreleased tracks from
Soul-Junk,
Vla Hemia and
Create (!). Softer pieces contributed by
Xn. (featuring a slick remix from hip-hop producer supreme
Omid) and the brooding “Two Planes for Elliott Smith” by the
Constantine/Levin/Phillips/Schlarb/Shadduck quintet.

A collection of five short ambient guitar pieces from
Chris Schlarb recorded in 1999 and released as a limited edition album totaling less than 10 minutes. Built around the unorthodox but simple sounds coaxed out of the electric guitar the original album was meant to be listened to repeatedly. After the limited release sold out, Schlarb contacted a number of different experimental, electronic and hip-hop artists to gauge interest in remixes and reinterpretations.

flowers (eating) words has been on and off hold for over 2 years, waiting for technology, time and purpose to bring ten short songs together. Clocking in at a robust 11 1/2 minutes each of the tracks was designed to fit into the close confines of sixty seconds each.
Xn. and
Deneir each contribute four abbreviated pieces in addition to one collaborative composition. On “gold in mirror”
Deneir takes
Xn.’s sloth-sound and pumps it full of rocks and cymbal shimmer. “Internal Chattering” reveals on repeated listens: Xn.’s bubbling guitar haikus threading
Deneir’s LFO gurgle.

So called anti-guitar guitar music,
Chris Schlarb’s solo electric guitar project has brought forth its first fruit on the ambient/melodic/spatial axis. All pieces were recorded in one sitting (normally within a 2-3 hours each) and contain roughly five guitars as a kind of minimalist orchestra. Guitars take shape as birds singing, little explosions and thinking machines. With simple treatments and spare- but lush- arrangements these pieces are part of a concerted effort to approach the instrument of electric guitar as a guitar in name only.
The album features unique interpretations of songs by
Neil Young (”Round & Round”) and
Curtis Mayfield (”People Get Ready”) as well as three original compositions. opening up is and album full of phasing harmonies and subtle warmth.